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Yawning | Fluttery Records
01 Sep 2017

Yawning – Noah


Track List

1 - Noah
2 - Mourning
3 - The One I Cherish
4 - Blessed Moment

Yawning - Noah

Noah is the first release of Jun who records under the moniker "Yawning" on Fluttery Records. His previous release Selected Works, his band Gargle and their contributions to Draff Krimmy project made the label to track this gifted artist. He offers instrumental music especially influenced by ambient, modern classical and post-rock. Enjoy the tranquillity.

Matt Finney (poet / musician)
I received an email from Jun asking me to write a bit about his new EP “Noah” for Fluttery. He's been a dear friend of mine since I met about a year or so ago. He's one of the nicest and gentlest people I've ever had the pleasure of knowing. One of my few true heroes. He also happens to be one of my all time favorite musicians. I remember listening to his Heat Death Records album Selected Works and being completely and utterly blown away. It was all I listened to for a year. No fooling. I have so many great and painful memories attached to them and those are just the demos of his! Noah shows Jun moving into more mature territory. More heartbreaking and tender territory while we're at it.

It's been quite a ride watching him craft these songs. The idea came about when I lost someone that was so dear to me and I never even had the chance to see him. I was devastated for so long. All I had left to turn to were my records and Yawning was always there for me. That's about as cliche as it gets but I'll be damned if it isn't the truth. I remember telling Jun about the rough time I was having and he became a confidant in many ways. I hope I was one to him as well. He was going through his own battles at the time. He told me that he was unsure if he'd make another solo album. I begged him to keep recording, even if they were rough sketches that only I could hear. I told him how much his music meant to me and how I needed something to lean on. I can tell you right now that this become a crutch to me.

This is the best ep of 2010. One of the best in general if my opinion is worth anything. I doubt you're gonna find a record that will shake you like this. The moments of hurt and joy are displayed in ways I've never heard before. All of my attachments to it aside, this should be required listening for everyone. You're not gonna find too many composers on Jun level and when he's working with emotions that we've all felt at some point, there's very little to feel alone about. Thank you so much to Jun for making this album. I think I've rambled on long enough. It's time for you to listen and to buy it. I dare you not to be moved.


Caleidoscoop / Jan Willem Broek

While the reviewing season slowly proceeds towards the winter break, sometimes suddenly a big surprise is delivered by the mailman. I received, for example. the mini 'Noah' by the Japanese project 'Yawning'. It is a project by Jun Minowa, who also is half of the ambient duo 'Gargle'. Aside from that, he also participates in the fantastic international project 'Draff Krimmy'. His first CDr release as Yawning, 'Selected Works', has been sold out already. Now he releases his new work on the increasingly interesting label Fluttery Records. Despite the project name, this is absolutely not music that makes you yawn, it is more awe inspiring instead. He delivers 4 tracks that are together just above 21 minutes, and that are influences by genres such as post-rock, neoclassical, and ambient. One gets deliciously soft piano sounds, which form a breath-taking whole with (electronic) neoclassical and symphonic elements, dark ambient, and soft post-rock guitars. By its overwhelming beauty, the music absorbs one completely. It is music about loss, mourning, longing, and thoughts of unattainable love. The feelings affected by this are really intense, very melancholic, and very moving. He plays in a well-balanced way with different styles, and because of that sometimes one is more dominant than the other. In fact, the music became a sum total of the calmer parts of Mono wirh Richard Skelton, Deaf Center, Dakota Suite, Celer, Nils Frahm and Ólafur Arnalds. A very special jewel, never to let go again. 'Yawning' is a great new name at the melancholic firmament.

Cyclic Defrost

Succinct EP from Japanese post-classical musician Jun, guitarist from Gargle who also records under the name Yawning- Noah his solo project on Fluttery Records. Whereas polish was the missing factor in terms of some clumsiness affecting his earlier Selected Works, Jun’s exploration of sentiment driven by the bittersweet and reflective is continued on the Noah EP. Support from new label Fluttery has resulted in more realised complexity and less forced composition, the added production values allowing highly emotional pieces timing improvements not executed as capably on Selected Works.

That immense yet delicate juxtaposition Japanese artists have honed through the ages is certainly evident on Noah. The arrangements suggest soaring through vivid landscape, armies descending from the clouds or a single flower petal the only colour in a snowstorm. This is a decidedly measured work; every piano note every string every pause. Impressively this is managed without sounding overly calculated. The music still flows.

But it can’t be said that Jun is truly extending the edgier listener’s appetite, however those new age aficionados who like a cup of tea and some mental veg-out will probably not be hankering for anything more than the melancholy bliss delivered. Personally I couldn’t help but think Kitaro upon hearing Yawning’s Noah and for me that entails memories of shattered car journeys as a child with Silk Road winding terminally in the cassette player. / Yukkoff


Yawning is the solo project of Japanese musician Jun Minowa, who recently released an EP called Noah. This is his second release (following his Selected Works in 2009). The music of the Minowa is hardly in a class; he creates an ambient atmosphere without being restricted there. His orchestrations reveal influences from classical music, while communicating with the post rock ( the influence of his countrymen Mono).The EP contains four tracks, starting with Noah, which is also the title of the EP, is a wonderful composition built on a repeating melody. The Mourning is a melancholic piano dominant song, as opposed to The One I Cherish, a brilliant synthesis of the first cello and electric guitar while the Blessed Moment’s melody evolves over a layer noise. The downtempo rhythms of the Yawning EP creates a movie soundtrack atmosphere that draws images and landscapes for listeners as the artwork on the cover. The EP is 21 minutes and it can serve as an album length. It captures the listener interest and not fails to be predictable or repetitive.

Release Date: November 12, 2010
© Fluttery Records

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03 Jun 2012

An interview with Gargle and Yawning’s Jun Minowa

We are running a couple of interview series starting with the ones where Fluttery Records artists interviews each other. We have asked Jan Hammer of Draff Krimmy to interview Jun Minowa of the post-rock band Gargle who also has his modern classical / ambient project, Yawning. Here is the interview between Norway and Japan. Enjoy!

Jan Hammer: How are you? How is Japan today? We haven`t forgot what happened last year in Fukushima.

Jun Minowa: Hi, Jan. I’m all right, thank you. I hope you’re all well, too. Last year, there were many shocking catastrophic disasters and incidents across the world and the news about the Norway terrorism was so shocking to me. As for Japan, we’ve generally returned to our normal lives, but on the other hand it’s still hard to tell if what they’ve told us about Fukushima is true or not. On the day it happened, some people from overseas were concerned about us and sent me messages. I have no words to express how encouraging to me their words were. I’ll never forget about them.

Jan Hammer: Fluttery Records released your new album GLOW IN THE GLOOM. What are your musical influences? It`s not so easy not to mention Mono or Envy, isn`t it? The song MEDITATION reminds me of the album PALMLESS PRAYER / MASS MURDER REFRAIN by MONO & WORLD`S END GIRLFRIEND (like I think, the best Mono album).

Jun Minowa: Yeah, I’m a big fan of them. I think I’m influenced by them in many ways – not only their music but attitude. It’s interesting and also my pleasure to hear you mentioned PALMLESS PRAYER / MASS MURDER REFRAIN. It’s a really beautiful album and a good collaboration as a whole. Like many people, I’ve listened to various kind of music. Nirvana, My Bloody Valentine and some other rock bands have still made big influences on me. It was also fun to discover some other related independent bands to them. It was a state like a school kid is looking for a comfort zone in a class. After a while, I wanted to be away from typical format of rock/pop music. It’s because I’d become to feel they were not my music. It was a state of leaving behind, or living in a shell. In those days I could encounter some good independent music. Godspeed You! Black Emperor was one of them. When I saw Mono’s show first, it may be an exaggeration but I felt they changed my life. And then I loved to listen to some stuff of Temporary Residence Limited. I though their music were honest, pure and beautiful. Notably Eluvium made big influence on me. At the same time, it was natural for me to start discovering some classical and contemporary music like Arvo Part, J. S. Bach, Ludwig van Beethoven, and also some modern classical stuff like Sylvain Chauveau.

Now I guess I only like music that appeals to me emotionally. I think I’m not so interested in music if it doesn’t appeal to me deeply even though it is technically competent or theoretically excellent.

Gargle is a duo from Japan whose music is commonly categorized as ambient, post-rock, experimental and modern classical music.

Jan Hammer:  What music do you like to listen to? What was the last album you bought?

Jun Minowa: The very last album I bought was a compilation album of Samuel Barber’s works which includes “Adagio for Strings, Op.11a” performed by London Philharmonic Orchestra & David Parry. I liked this recording. And also I bought an Arvo Part’s album “I Am the True Vine”. Also what I listen to often recently are Bosques de mi Mente’s new album “20 de Abril” and “Static Nocturne” by Eluvium.

Jan Hammer:  How and when did you start making music?

Jun Minowa: I remember I at first started trying to write rock tunes with my guitar that were deteriorated version of Nirvana, Radiohead or The Smiths that required vocals. And then, about 8 years ago (?), I started writing simple instrumental pieces. Gradually, I started writing songs with a keyboard (piano) with my headphone. It’s just because I cannot play guitar at night in my apartment even though I don’t use a guitar amp, but eventually it made my composition develop. Recently I wrote both Gargle and Yawning’s songs only on keyboards and then I arrange guitar and some other parts.

Draff Krimmy is an international music project which brings many artists from all over the world together

Jan Hammer: What does inspire you – people, places, weather, seasons …?

Jun Minowa: Probably people. It might be an interaction, a miscommunication, an isolation or a misunderstanding, anyhow people inspire my feelings most. Of course places and seasons inspire me too but some of such feelings dwell after all.

Jan Hammer: What does the bandname Gargle means to you?

Jun Minowa: It doesn’t mean anything. Seriously, I am very bad at putting names to my bands. Song titles neither. I just wanted a mononymous name. I didn’t even realize that my both projects’ names are about around mouth movements before I was pointed out by a friend of mine.

Jan Hammer: Did you always want to be an instrumental band? If yes, why?

Jun Minowa: Yes. At least for now. Many of my favorite bands have vocalists but I don’t think I would want to do that in my projects. Because I think it’s really difficult to disconnect from vocalist’s ego and work out music as a whole, and yet I don’t know how. But in the future, I’m a little interested in collaborating with a vocalist or a choir.

Jan Hammer: What does the album means to you?

Jun Minowa: Honestly I am happy that GLOW IN THE GLOOM has been released. At the same time, since some of the songs were recorded a little while ago, I feel a bit that it is a kind of introduction. It may sound strange but the feeling is like when our next album is out, it makes sense totally.

Jan Hammer: Did your songs tell a story? Are they about anything

Jun Minowa: While there are specific themes on some of my songs, most of my songs don’t have specific stories but more fuzzy theme as a whole like searching a light in the dark or such. When I write a song, it usually comes out with a piece of melodies and emotion, and then forming into a song with mixed emotions eventually.

Jan Hammer: How was the feedback? I really like the music of Gargle and Yawning (which is the solo project of The Gargle guitar-player Jun. Also released on Fluttery Records – a album called NOAH).

Jun Minowa:Thank you so much, I’m really glad to hear you say so. Not so many at the moment, but thankfully we’ve got some good feedback. Their feedbacks always encourage us.

Jan Hammer: I know that you have collaborate with many other artists, like draff krimmy, Void`s Anatomy and Bosques de mi mente. Is it important for you to stay in contact with other artists? Why do you choose to be so involved in other peoples music?

Jun Minowa: Collaborating with good artists like you (draff krimmy) and Void’s Anatomy were exciting and precious experience for me. I’m always grateful for them. And as someone said, “music is a bridge”, it is meaningful. Since I’ve started Gargle and Yawning, I fortunately could have a lot of opportunities to contact with people around the globe. Because few people are interested in our music here in Japan, they have been my good motivation. I am planning to complete the song with Bosques de mi Mente and include it on our next release.

Jan Hammer: How does it feel like to be part of the Fluttery Records family?

– It’s my great pleasure to be a part of the family. It’s a great independent label and there are a lot of great artists.

Jan Hammer: What are your plans for the future? Are there any tourplans in the near future? Maybe Europe?

Jun Minowa:Though we know it’s not easy and haven’t set a definite schedule, we would like to go on a tour before too long. I’m not sure where it will be, but I’d like to go wherever possible as long as there are people who might be interested in our music. Besides tour, I’d like to make new records of Gargle and Yawning.

Jan Hammer: Thank you for answering my questions and for making such beautiful music.

Jun Minowa: Thank you, Jan. I’m expecting draff krimmy’s new album someday.

Listen & Buy latest Gargle album : Glow in the Gloom

Listen & Buy latest Draff Krimmy album : Poetry of Vår

Listen & Buy latest Yawning EP : Noah

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