15 Mar 2015

Pre-orders start for Max Lilja’s Morphosis

Max Lilja pre-orderYes, the day is getting closer. Lilja’s Morphosis will be out on the 10th of April. Morphosis is an album where all the music is written on the cello. Max found inspirations in the melodies which wrote themselves on jamming sessions. Also, he used different approaches to the instrument by using different tunings, “A possibility that is sadly and very commonly ignored” says Max.

Lilja, known as one of the most versatile and adventurous cellist of all times, is a Finnish ​cellist​and ​composer​. Max Lilja is also co­founder of legendary ​Apocalyptica ​and touring member of ​Tarja Turunen ​(former ​Nightwish​).

Listen to the preview songs & pre-order

28 Mar 2014

Pre-orders start for Astrowind, Row Boat and Diamond Gloss

April is going to be an amazing month. We worked really hard not to keep you and our artists waiting. We decided to work extra long hours and release these amazing albums one week after another. You will see four new release by Fluttery Records in April. Here is first three.

astrowind-someehere300ASTROWIND
Somewhere The Music Had Been Played

The first release is a re-issue by Latvian ambient / electronic music artist, soundscapes engineer Astrowind. “Somewhere The Music Had Been Played” represents Paleopsychedelic ambient again. Once issued on “Resting Bell” in 2007, edited version this feature certainly worth to be reissued in more “touchable” media today in full-length. PRE-ORDER and hear

rowboat-inbetween300ROW BOAT
In Between

Row Boat has found his place under the gorgeous wings of Fluttery Records and he is releasing his new album on our label. Row Boat is a post-rock / ambient solo project by Mark Wardale. Mark cites several Scandinavian influences behind Row Boat, including classical Nordic sounds.  PRE-ORDER and hear the first track

Diamond Gloss-Nomawkish-300DIAMOND GLOSS
Nomawkish

Nomawkish is the second studio album from Portuguese ambient / modern classical project Diamond Gloss after three years. Gonçalo Pereira, return to his studio to record new Diamond Gloss songs which are just amazing. As different mood as “Bears”, which was a more joyful and open album than this new one. Nomawkish is more dark and introspective. PRE_ORDER and hear the first track

Release dates:

April 04, 2014 : Astrowind / Somewhere The Music Had Been Played
April 11, 2014 : Row Boat / In Between
April 18, 2014 : Diamond Gloss / Nomawkish

Again, April will be just amazing; with amazing music and new beauties. All you need is a little more hope and allowing more daylight in your life. Exicited! Excited! Excited!

18 Oct 2013

Pre-orders strarted for Gargle & Bosques de mi Mente album

Gargle-BosquesDeMiMente-albumcoverHey folks, we know you have been waiting for this one. We have started the pre-orders today for Gargle & Bosques de mi Mente album, “Absence”. You will be amazed when you listen to it all but here is a whole preview song available on Bandcamp.

So here you are;

Pre-order 

24 May 2013

Ambient flowers with post-rock bee buzz: Monochromie

monochromie postrock ambient project

Monochromie is back with “Enlighten Yourself While You Sleep”, a new 9-track album in the ambient / electronica / post-rock genre and the new album will surprise many listeners.

After his quiet and peaceful debut album “Angels and Demons”, the new album shines bright. As the album cover suggests, sounds emerge from an electric heaven or flash through stormy skies. The post-rock tone is accentuated with the addition of ethereal melodies played on guitars, while loud and saturated noises that transports the listener into an increasingly wild, intense and deep elsewhere.

Listen:  “Day and Night Of a Scarecrow”   Buy

Before a deep look into the new album, let’s talk about his debut album. “Angels and Demons” was a good start on his musical career. Album welcomed by followers of the label and received very nice reviews.

Thinkmuzik said “His music shows a unique perspective on the post-rock genre, presenting numerous attitudes and textures through the musical landscape. This variety is what makes Monochromie one of the best post-rock artists.” while Beach Sloth has called the album ” A constant struggle between the classical and electronic elements. ” “This pits the organic against the digital. Listening to the struggle between the two separate elements makes it infinitely interesting. Hope neither side ever wins.” Here are more;

 Soundcolourvibration: “What makes Angels and Demons a really different album than anything else coming out right now is the consistency of different worlds sitting boldly and perfectly together and exactly how they relate to one another. (…) I have really been enjoying a lot of ambient music coming out this year and Angels and Demons from Monochromie is a new direction in this field of music.”

A Closer Listen: “It doesn’t happen often that we hear an album we have a hard time categorizing, but that is what happened when listening to the debut album of Wilson Trouve aka Monochromie.(…) What it does best however is point out what Monochromie excels at: making music that is full of hope and fear, vivid colors and darkness, feels like a dream, but has the mundanity of life.”

Post-rock.be: “Ambient/post-rock infused with beautiful and sublime soundscapes

MRU: “For his foray into the musical world, Monochromie’s efforts are mature and strong. Angels and Demons brings the listener on a pleasant and varied ride, communicating its theme confidently and without words. The sounds speak for themselves, simultaneously capturing the ears and emotions of listeners, and not letting go.”

W. Henry Prince: “In one of my circles of hell, Bono emotes politically over stadium rock chords to a 4/4 drum beat. In my version of heaven, Monochromie is playing.”

Caleidoscoop: “Depth, emotion splendor so beautiful and knows how to shine in Autumn.”

As reviews suggest, Wilson Trouvé’s Monochromie travels through the borders of ambient, noise and post-rock, these surfaces and textures slowly evolve towards an elsewhere, producing the resonance of a particular atmosphere: a dark or luminous landscape, aerial or earthly, a hot or cold light. Each song’s color is unique and draw bridges between classical and contemporary, minimalism and baroque, using a piano, a metallophone, and some other acoustic instruments mixed with crystalline sounds, sparkling , squeaky or saturated.

Listen: Broken Beauties    Buy

This second album includes tracks composed, recorded and mixed by Wilson Trouvé between September 2012 and February 2013, in the artist’s studio in Marseille, and mastered by Gérald Kuentz at KO Studio in Marseille.

Wilson says “This new album is the result of days and nights of hard work and a slow and intense immersion into the depths of my soul, and into its relations to our dramatic, poetic and beautiful reality. What you hear is what you see.”

Fluttery Records is very happy to release the second album of this gifted artist and we believe that the people who enjoyed his debut album will also enjoy this album and find new musical tastes with the new songs like Fireworks, Day and night of a scarecrow, Silence is Anger. Also we strongly recommend this album to fans of Sigur Ros, Pan American, Hammock, Eluvium, Explosion in the Sky, Mogwai, Godspeed You Black Emperor, Thee Silver Mt Zion, Brian Eno, Ryuichi Sakamoto and Alva Noto, Erik Satie, Port-Royal, Max Richter, Library Tapes and anyone who enjoys post-rock, ambient and electronica.

Listen to the entire album 

02 Feb 2013

Olekksii’s modern classical approach in electronica: “Iris”

Olekksii is the stage name of the electronic musician Alexey Krolevets from Kiev, Ukraine. His electronica travels in the rivers of classical music.

 His debut work “Iris” EP is soon to be released on Fluttery Records. The label founder Taner Torun says “We receive a lot of music submissions from all over the world. We try to listen them all. When we were listening to Olekksii, we felt like he must be a part of our family.”

 Olekksii’s music combines electronic music with classical music elements. He says “My way is to connect both too worlds of music fans: conservative classic music lovers and liberate generation of electronic supporters”. When you listen to his music, piano melodies comes together with lush strings and powerful tubes mixed along with electronic beats and basses. These compositions rise the atmosphere of harmony and beauty.

 He says he is very impressed by the saying of Autechre: “It’s all like looking at gene cycles, who inherits what. You’ve got your X and your Y, and you mix them.”

Recent debut “Iris” EP made by Olekksii is a pill which helps you to struggle with such a modern world feelings like lonelines, sorrow, inconstancy. If you impressed by works of Olafur Arnalds, Max Richter, Kettel, Ochre, Jon Hopkins or Nils Frahm you definitely need to give “Iris” EP a try.

Listen, Buy or Download this EP

 

16 Jan 2013

Gate’s new industrial layered, noise music world: Sekai

Gate is an experiment in improvised music by Lajos Ishibashi-Brons, a Dutch philosopher and musician living in Japan. The name of the project, ‘Gate’, summarizes its intended nature: a gate is in between, in between inside and outside, between here and there, between now and then; and a gate is a passageway, both an entrance and an exit, and a point where paths cross. The symbol |˟˟| is a simplification of the ‘broken gate radical’ 鬥, which (on its own) is a Chinese character meaning ‘struggle’, representing another core theme of the project: dissonance, discomfort, distress.

We have asked Lajos his thoughts about his new album on Fluttery Records:

“Bury your romantic proclivities for harmony, for order, for purpose. All of that is illusion, paint. Look at the world, listen. There is beauty in discord, dissonance, disorder, destruction, decay, corruption, contrast, arbitrariness. Life is discord, life is destruction, randomness, change. Look at the world, look at the power- lines, open-pit mines, rivers and lakes, factories and power plants, mountains and roads, buildings and forests, trash dumps and oceans. Look at them clash, interpenetrate, infest, defile. Look at the transformation of landscapes. Look at the haphazard collections of streets and buildings, and at the people living in them. Look at the dirt, the mess, the disharmony. Just look: it’s beautiful. And listen. Open your eyes and ears. Listen to the sounds of the world, to the crashing, grinding, and banging. Embrace the dissonance, the discomfort, the randomness. Those are our sounds, our world. Listen. And travel in sound.”

The new album by Gate, “Sekai” (世界, ‘world’), is a mix of four layers of solo improvisation on multiple instruments, one of those layers being a mix itself. The four layers resulted from four recording sessions. The first and longest of these was focused on creating loops, drones, and background noise. Selected material from this session was arranged on the four audio tracks that together form layer 1. Layers 2 to 4 were added one after the other by means of improvisation while listening to the previously recorded layers. These sessions were exactly as long as the finished recording (i.e. 69 minutes and 2 seconds), and no edits or changes to the session recordings were made other than volume adjustments (and a bit of reverb in case of layers 2 and 3). For layers 2 and 3, only acoustic instruments were used (and thus no effects or other electronics). Session 4 made use of electric instruments and a number of effects.

Instruments used include Bassanxi, a four-string instrument (tuned like a bass) combining design elements from both the guzheng (古箏) and huqin (胡琴) families of instruments; Chaĭlaazkhuur, a tea can with a neck, fingerboard, and one string; Hichiriki (篳篥), a traditional Japanese double reed instrument used mainly in Gagaku (雅楽), Japanese classical music; Sousen, an electric string instrument used for sound effects and noises; and Zarazara, a small box with short pieces of bass B-string attached on one end for creating crackling and other noises. Except Hichiriki, all of these instruments were designed and built especially for this project.

“Sekai” comes in two editions. The Orginal (White) Edition is the original 69 minutes, four-layered session, as it was created and as it was and is intended to be heared. The Black Edition is a remix, cutting up the original in 5 parts each between 12 and 17 minutes. The Black Edition is only available as a download.

Listen to new Gate album: Sekai

 

09 Jan 2013

Pre-orders for new Gate and How Comes The Constellations Shine albums started

The new Gate and How Comes The Constellations Shine albums coming on the 14th of January, 2013 and PRE-ORDERS STARTED. Just click on the album cover to place your order.

How Comes The Constellations Shine / Mémoire

Gate / Sekai