26 Jun 2012

A new release comes from Remora : The Heart That Kills

Fluttery Records is honored to host Brian John Mitchell and his project Remora. Brian is owner of Silber Records, a painter, comic book creator and experimental musician. His music, recorded and released under the name Remora, uses guitar effects to build ambient dreamscapes and noisy terrors.

Remora has been around since 1996 bringing out post-apocalyptic pop songs to the masses. Dominated by often sole member Brian John Mitchell, Remora is often a sonic surprise – sometimes making walls of guitar noise & sometimes singing a capella while somehow maintaining the aesthetic that is Remora.

The 1990s saw Remora as a single guitar making ambient walls of tranquility & aggression. The 2000s saw Remora doing everything from a capella (Songs I Sing) & acoustic guitar releases (The Alcohol EPs) to robotic rhythms (Mecha) & a full band structure (Scars Bring Hope) & occassionally delving back to the guitar noise roots (Reversion, Derivative). Within the context of all these styles, the music remains recognizable as Remora in a genre of its own that Michell calls “post-apocalyptic pop” with equal influences from Joy Division, Jandek, Godflesh, lovesliescrushing, & Brian Eno.

On The Heart That Kills, Remora drifts away from the sci-fi-survival themes often prevalent in the lyrics & instead deals with the emotional apocalypse of the death of a loved one. In 2008 Mitchell pulled his grandmother out of a nursing home & quit his job to take care of her at home doing everything from making her meals to bathing her, by her side more or less 24 hours a day. In October 2011 she had a fall that caused an inner cranial bleed & after a week in a coma with Mitchell lying on the bed next to her holding her hand she died. Recorded within the following month in Mitchell’s bedroom, The Heart That Kills is a direct response to the feelings of anger, remorse, guilt, joy, hope, despair, & loneliness associated with the death of a loved one.

Predominantly The Heart That Kills is a drone record. It clocks in around 72 minutes with all but three of those minutes using two guitars & two bass guitars feeding back as the only sounds. At times the feedback is a somewhat passive presence & at other times it is an aggressive one, rising & falling like hope between labored breaths. Clearly this is not something meant for everyone. The remaining three minutes are split four ways between two a capella tracks (“Live Forever” & “Let Me Carry Her Body Through The Gates”), a glockenspiel track (“Chimes”), & the only traditional song structure on the album (the half funeral dirge/half anthem “Bring You Back”). This is not a fun record, this is not the “post rock party show” that Mitchell toured with five years ago, but it is perhaps the most important record of Remora’s discography.

Recommended if you like Earth, Sunn O))), Stars of the Lid, Boris, The Angelic Process, Tim Hecker, Nadja, Boris, Grouper, Have a Nice Life Have a Nice Life, Oneohtrix Point Never, Menace Ruine Menace Ruine, William Basinski, Fuck Buttons, Aarktica, Aube, Jesu, Swans, Joy Division, Sun O))), Jandek, Flying Saucer Attack, Lycia, Brian Eno, Khanate, Emeralds, Belong, Peaking Lights, Loscil, Asva, Windy & Carl,Barn Owl, The Dead Texan, Oren Ambarchi.

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21 Feb 2012

Noise master Gate release a new album: Deconstructed

Noise meets jazz one more time in Gate’s lastest release Deconstructed

Noise album DeconstructedGate is a noise project based in Tokyo, Japan and they have release their lastest album on Fluttery Records. The new album is called Deconstructed.

The music contains noise, free jazzdroneambientindustrial elements. Lets have look at a new review about the album. Jan Williem Broek (music writer / DJ) has written a review about the band and their lastest album:

Lajos creates improvisations with 7-string bass, guitar, sousen, electric morin khuur, zarazara, and various other effects and noise makers. Half a year after the project was founded, the Japanese wind instrument player Taka joined the project, and with his saxophones, flutes, ryuuteki (dragon flute), recorders, whistles, and didgeridoo, he adds an extra dimension to the project’s sound. Lajos’s philosophical background undoubtedly contributed to the way of making music, although one shouldn’t take the term ‘music’ too literally. He refers to Spinoza who said that freedom is illusion. Nevertheless, they create a free sound, albeit as free as the listener experiences it. What I mean is that the one will hear unstructured cacophony, while the other recognizes patterns and structure. To that extent freedom stays an illusion. Let me take the freedom to say that they manage to create immense tension between recognizable and undefinable sound. They open a ‘gate’ to your own interpretation. CDs ‘no exit’ (2009) and ‘iterations’ 2010 so fascinating. The sounds almost became secondary to their elaboration. The result is a kaleidoscopic whole of drones, noisejazzindustrial, doom, and Japanese traditional music, in which the sounds freely ‘wander’ through indescribable, capricious soundscapes. |˟˟| now released the CD ‘deconstructed’, which lets go of the founding principles. Philosophy also means time for reflection and seeing things in a different light.With this, Lajos moves into the territory of Aube, Merzbow, KK Null, Otomo Yoshihide, God and John Zorn. It is like looking at a 3D image and suddenly seeing depth. Between the gates of the different dimensions, the music of |˟˟⌡ moves in a wayward and most of all captivating way. Incomprehensibly good!”

The album is highly recommended for listeners of noisedroneambientindustrial music also for the people looking for new tastes in jazz.

Some similar artists might be Merzbow, Boris, Masonna, Government Alpha, John Zorn, The Gerogerigegege, Guilty Connector, Hijokaidan, Hanatarash, C.C.C.C., Prurient, Svarte Greiner, Alec Empire, Whitehouse, Wolf Eyes, Lustmord, Sutcliffe Jügend, John Wiese, Nurse With Wound, Daniel Menche, Boredoms, Sunn O))), Kevin Drumm, Machinefabriek, Burning Star Core, Peter Brötzmann Brighter Death Now, Ground Zero, Hair Police, Skullflower, Zloty Dawai, Melt-Banana, Genocide Organ, Ryoji Ikeda, Throbbing Gristle, Birchville Cat Motel, Pan Sonic.

The album is available on major music download stores like Itunes, Bandcamp, AmazonMP3, Napster and eMusic. The CD can be purchased from the Fluttery Records website (flutteryrecords.com).

Fluttery Records is an independent record label releasing Post-rockAmbientExperimentalElectronicModern Classical Music. All label releases can be streamed free on the label website.

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