07 Sep 2017

Draff Krimmy & Continental Fruit – Existenz


Track List

1. Ennui
2. Nietzschevo
3. All these lushy pianos
4. Solitude
5. Min engel
6. Pompös depressiv

Draff Krimmy & Continental Fruit - Existenz

Draff Krimmy is not a band. It is a project between people from all over the world who communicate in the language of music. The central person in this project is Jan, a German guy living in Norway. draff krimmy started with “Präexistenz” in 2002, a track inspired by love, Rodion Raskolnikoff, and an acoustic home recording including songs about suicide and life. In 2003 the next piece, “Inteventuell” was recorded. It was inspired by a honeymoon, A Silver Mt. Zion and Dumas` Le comte de Monte Cristo. It was an experimental piece created by people who didn`t know each other before. (5 songs/almost 60 minutes).

Draff Krimmy signed to Fluttery Records in 2010. Their 11 track full length “Poetry Of Vår” is their label debut which was also their first official release (previously released by How Is Annie Records).

The second album, Existenz comes in 2015. This time it is a collaboration with Continental Fruit (Jon Øyvind “the captain”), a Norwegian and his synthesizer. He started up back in 1995 on borrowed equipment and released a cassette with the Gold Soundz-fanzine. Later he invested in his own equipment, released a few albums and contributed to compilations on various labels.

"Life is a wonderful journey. Vulnurable and massive. It’s about love, anxiety, boredom and other exciting ingredients." says Jan.

Existenz, where the beginning and the end is set. What happens in between is like a conceptual voyage through various phases and genres. A bit like life itself. Improvised ambient, folky post-rock with an electronic twist.

Release Date:  January 23, 2015
© Fluttery Records

Also available on:
01 Sep 2017

Draff Krimmy – Poetry Of Vår


Track List

2 - Tror ikke på ny revolusjon, but that doesn`t explain why you came all the way out here, all the way out here to hell
3 - Vennligst ikke parker foran porten, we are listening to a lullaby
4 - Otradnoje
5 - Hører du stillhetens klang, it`s the poetry, the poetry of war
6 - Et øyeblikk av salighet, burried at the bottom of the sea
7 - Det regner en slik regn som cleans the air
8 - Min engel
9- Matchball!
10 - Ser du, det blir mørkere and the frost makes a flower
11- Farvel vår, winter is coming

Draff Krimmy - Poetry Of Vår

Poetry of Vår is a result of a collaboration between musicians living in 8 different countries, which included Halvard Vebjörnsson (Germany), Morfar (Norway), Rim and Kidedo (France), Void`s Anatomy (Canada), Bosques De Mi Mente (Spain), Hasta Luego Pilar (Denmark), Dylan Waller (USA) and Gargle (Japan).

The album is an experimental piece of music with a cinematic atmosphere. Standing somewhere between post-rock / ambient, listeners of Set Fire to Flames, Eluvium, Godspeed You Black Emperor and Mùm may find new tastes in the album when they meet Draff Krimmy’s ambience floating with guitars, accordion and drones.

Pascal Payant (filmmaker):
“There’s a place between time and melody. This fracture of reality blended with originality. A moment where you are left alone. Thinking of a sound, a mood, an atmosphere. This place in time is called Draff Krimmy. Alone in the bliss of dark with a glance of joy in your face. Welcome to a real ambience melody.”

Thomas Andre (musician)
“Early morning, wintertime. An eerie light brushes away the last shreds of the night. The day to come awaits, numb. It’s that time when everything seems to melt and merge, thoughts, dreams and languages alike. Draff Krimmy’s music is playing. It is mysterious and uncanny. It is this early morning melting of the senses. Echoes of instruments you recognize and the swoosh of others unknown, melodies entwined, evocative, reaching out and meeting on neutral ground. Draff Krimmy is the peaceful coming together of peoples in the Northern lights, speaking in many languages and communicating. It is the poetry of vår.”

Taner Torun (musician / producer)
“I had the same feeling when I listen to my favorite bands like Godspeed You Black Emperor and Low. Poetry of Vår is an epic listening experience to fall, rise and get lost in it.”

Martial Despre (musician)

“Listening to Draff Krimmy’s music means to accept a journey through beauty, melancholy, happiness and poetry. Through the grace of a personal vision of music which contains all the troubles and the beauties of our world. Poetry of vår is not just a musical trip, it’s more than that, it means accepting to face the beauty of musical poetry.”

”Poetry of vår burde fåes på resept!” (Poetry of vår should be available on prescription!)


Caleidoscoop review by Jan Willem Broek

Draff Krimmy is the kind of project top which the label ‘band’ really does not fit well. It is much more a project in which different musicians from 8 different countries communicate with each other through music – langua...ge as music and the other way around. The musicians and/or bands that started exchanging material are Halvard Vebjörnsson (Germany), Morfar or Morten of Youth Pictures Of Florence Henderson (Norway), Rim and Kidedo (France), Void`s Anatomy (Canada), Bosques De Mi Mente (Spain), Hasta Luego Pilar (Danmark), Dylan Waller (VS), and Gargle (Japan); while the hard core of Draff Krimmy is the in Norway living German Jan, Maciek (Germany) and Mareno (Norway). The participants do not always know what instruments the others use; it is more like a natural process in which ideas and elaborations are shared and extended like in a real conversation and discussion through music. Nevertheless, a reasonably consistent and harmonious whole, covered by a mysterious veil resulted from this. Dreamlike soundscapes, made up of scraps of glitch, post-rock, electronics, experimental music, folk, lo-fi and ambient. It really is more like atmosphere than like regular music and that makes this project such extraordinarily fascinating. Electronic sounds, guitars, piano, whispered male and female vocals, accordion, field recordings, creaky sounds, samples, and lots more pass by in a serene, sometimes ghostly fashion. Rustic, but with a spooky feeling; something like that. The song titles have also become linguistic hybrids, further covering the project with a mysterious mist. The young quality label Fluttery has shown with this that they stand for innovation and guts, like they have proven with many other releases. The music by Draff Krimmy is an enjoyable middle between 2 By Bukowski, The Third Eye Foundation, Human Greed, Hood, Piano Magic, Múm, Set Fire To Flames and the related Godspeed You! Black Emperor. The poetry of this band is in all pores. Beautiful listening experience!

Zeugulator / Music will Save Us All

Eight musicians comes together to create Poetry Of Var, eight artists from eight different countries. I could say that would be at least one from Iceland, but it isn't. The sound of Draff Krimmy reminds the bands from the magical island. It's the partnership ambient and experimental, film atmosphere, spooky noises, frightening breaths, electronic props and somewhere between scattered vocals. A pack of melancholic compositions that create a special package (of music) poetry on overflowing emotions. The Poetry Of Vår is released by Fluttery Records.

InForty rewiew by Matt Bone

A collaborative project between musicians from eight different countries, it’s unsurprising that Poetry Of Vår is a very eclectic affair. The record sweeps through post rock, ambience, experimental noise, and regions more unclassifiable without much concern of coherence, whilst throwing in such things as storm samples, the whirring of a washing machine, and, weirdly enough, commentary of a tennis match. With its contrasting of the worldly and otherworldly it holds similarities to The Knife’s Tomorrow, In a Year, and is more an experiment in sonic textures than an album – though it does possess moments of conventional beauty (see the latter half of “Min Engel”).

Release Date:  July 16, 2010
© Fluttery Records

Also available on:
03 Jun 2012

An interview with Gargle and Yawning’s Jun Minowa

We are running a couple of interview series starting with the ones where Fluttery Records artists interviews each other. We have asked Jan Hammer of Draff Krimmy to interview Jun Minowa of the post-rock band Gargle who also has his modern classical / ambient project, Yawning. Here is the interview between Norway and Japan. Enjoy!

Jan Hammer: How are you? How is Japan today? We haven`t forgot what happened last year in Fukushima.

Jun Minowa: Hi, Jan. I’m all right, thank you. I hope you’re all well, too. Last year, there were many shocking catastrophic disasters and incidents across the world and the news about the Norway terrorism was so shocking to me. As for Japan, we’ve generally returned to our normal lives, but on the other hand it’s still hard to tell if what they’ve told us about Fukushima is true or not. On the day it happened, some people from overseas were concerned about us and sent me messages. I have no words to express how encouraging to me their words were. I’ll never forget about them.

Jan Hammer: Fluttery Records released your new album GLOW IN THE GLOOM. What are your musical influences? It`s not so easy not to mention Mono or Envy, isn`t it? The song MEDITATION reminds me of the album PALMLESS PRAYER / MASS MURDER REFRAIN by MONO & WORLD`S END GIRLFRIEND (like I think, the best Mono album).

Jun Minowa: Yeah, I’m a big fan of them. I think I’m influenced by them in many ways – not only their music but attitude. It’s interesting and also my pleasure to hear you mentioned PALMLESS PRAYER / MASS MURDER REFRAIN. It’s a really beautiful album and a good collaboration as a whole. Like many people, I’ve listened to various kind of music. Nirvana, My Bloody Valentine and some other rock bands have still made big influences on me. It was also fun to discover some other related independent bands to them. It was a state like a school kid is looking for a comfort zone in a class. After a while, I wanted to be away from typical format of rock/pop music. It’s because I’d become to feel they were not my music. It was a state of leaving behind, or living in a shell. In those days I could encounter some good independent music. Godspeed You! Black Emperor was one of them. When I saw Mono’s show first, it may be an exaggeration but I felt they changed my life. And then I loved to listen to some stuff of Temporary Residence Limited. I though their music were honest, pure and beautiful. Notably Eluvium made big influence on me. At the same time, it was natural for me to start discovering some classical and contemporary music like Arvo Part, J. S. Bach, Ludwig van Beethoven, and also some modern classical stuff like Sylvain Chauveau.

Now I guess I only like music that appeals to me emotionally. I think I’m not so interested in music if it doesn’t appeal to me deeply even though it is technically competent or theoretically excellent.

Gargle is a duo from Japan whose music is commonly categorized as ambient, post-rock, experimental and modern classical music.

Jan Hammer:  What music do you like to listen to? What was the last album you bought?

Jun Minowa: The very last album I bought was a compilation album of Samuel Barber’s works which includes “Adagio for Strings, Op.11a” performed by London Philharmonic Orchestra & David Parry. I liked this recording. And also I bought an Arvo Part’s album “I Am the True Vine”. Also what I listen to often recently are Bosques de mi Mente’s new album “20 de Abril” and “Static Nocturne” by Eluvium.

Jan Hammer:  How and when did you start making music?

Jun Minowa: I remember I at first started trying to write rock tunes with my guitar that were deteriorated version of Nirvana, Radiohead or The Smiths that required vocals. And then, about 8 years ago (?), I started writing simple instrumental pieces. Gradually, I started writing songs with a keyboard (piano) with my headphone. It’s just because I cannot play guitar at night in my apartment even though I don’t use a guitar amp, but eventually it made my composition develop. Recently I wrote both Gargle and Yawning’s songs only on keyboards and then I arrange guitar and some other parts.

Draff Krimmy is an international music project which brings many artists from all over the world together

Jan Hammer: What does inspire you – people, places, weather, seasons …?

Jun Minowa: Probably people. It might be an interaction, a miscommunication, an isolation or a misunderstanding, anyhow people inspire my feelings most. Of course places and seasons inspire me too but some of such feelings dwell after all.

Jan Hammer: What does the bandname Gargle means to you?

Jun Minowa: It doesn’t mean anything. Seriously, I am very bad at putting names to my bands. Song titles neither. I just wanted a mononymous name. I didn’t even realize that my both projects’ names are about around mouth movements before I was pointed out by a friend of mine.

Jan Hammer: Did you always want to be an instrumental band? If yes, why?

Jun Minowa: Yes. At least for now. Many of my favorite bands have vocalists but I don’t think I would want to do that in my projects. Because I think it’s really difficult to disconnect from vocalist’s ego and work out music as a whole, and yet I don’t know how. But in the future, I’m a little interested in collaborating with a vocalist or a choir.

Jan Hammer: What does the album means to you?

Jun Minowa: Honestly I am happy that GLOW IN THE GLOOM has been released. At the same time, since some of the songs were recorded a little while ago, I feel a bit that it is a kind of introduction. It may sound strange but the feeling is like when our next album is out, it makes sense totally.

Jan Hammer: Did your songs tell a story? Are they about anything

Jun Minowa: While there are specific themes on some of my songs, most of my songs don’t have specific stories but more fuzzy theme as a whole like searching a light in the dark or such. When I write a song, it usually comes out with a piece of melodies and emotion, and then forming into a song with mixed emotions eventually.

Jan Hammer: How was the feedback? I really like the music of Gargle and Yawning (which is the solo project of The Gargle guitar-player Jun. Also released on Fluttery Records – a album called NOAH).

Jun Minowa:Thank you so much, I’m really glad to hear you say so. Not so many at the moment, but thankfully we’ve got some good feedback. Their feedbacks always encourage us.

Jan Hammer: I know that you have collaborate with many other artists, like draff krimmy, Void`s Anatomy and Bosques de mi mente. Is it important for you to stay in contact with other artists? Why do you choose to be so involved in other peoples music?

Jun Minowa: Collaborating with good artists like you (draff krimmy) and Void’s Anatomy were exciting and precious experience for me. I’m always grateful for them. And as someone said, “music is a bridge”, it is meaningful. Since I’ve started Gargle and Yawning, I fortunately could have a lot of opportunities to contact with people around the globe. Because few people are interested in our music here in Japan, they have been my good motivation. I am planning to complete the song with Bosques de mi Mente and include it on our next release.

Jan Hammer: How does it feel like to be part of the Fluttery Records family?

– It’s my great pleasure to be a part of the family. It’s a great independent label and there are a lot of great artists.

Jan Hammer: What are your plans for the future? Are there any tourplans in the near future? Maybe Europe?

Jun Minowa:Though we know it’s not easy and haven’t set a definite schedule, we would like to go on a tour before too long. I’m not sure where it will be, but I’d like to go wherever possible as long as there are people who might be interested in our music. Besides tour, I’d like to make new records of Gargle and Yawning.

Jan Hammer: Thank you for answering my questions and for making such beautiful music.

Jun Minowa: Thank you, Jan. I’m expecting draff krimmy’s new album someday.

Listen & Buy latest Gargle album : Glow in the Gloom

Listen & Buy latest Draff Krimmy album : Poetry of Vår

Listen & Buy latest Yawning EP : Noah